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While
doing research for my photo book “Patagonia” I
came across Lucas Bridges’ book “The
Uttermost Part of Earth”. It is a
description of Patagonia and especially
Tierra del Fuego, the island at the far
end of the American continent, close to
Antarctica. Months later, arriving at the
farm where Lucas Bridges had lived, I actually
felt, as he describes, that I was at the
very end of the world.
Of course this was an illusion – any
place can be at the end of the world,
as well as at the center of it, depending
on point of view. That being said, Tierra
del Fuego and Patagonia, as well as
parts of Scandinavia, do have a certain
feel about them. Maybe it is the sense
of isolation, or being at the far edge, maybe a strange,
conflicting independence.
For my own part, growing up
in a small town in the northern part of Denmark,
has left me with a fascination for wide-open
spaces and an unstoppable restlessness, which
has sent me out on numerable journeys.
The photographs, presented
at Ingrid Hansen Gallery, are from various parts
of Scandinavia, and done over a period of 3
years. Looking at Scandinavia as a northern
hemisphere pendant to Lucas Bridges’ Tierra
del Fuego, I have titled the exhibition “The
Uttermost Part of Europe”.
The images fall into two groups,
defined by geography and photographic method.
The first group is photographs taken while driving
through Norway and Finland north of the polar
circle. They are all shot with a 6x7 camera
and printed from one negative.
The second group is from Denmark.
All photos are shot digitally and later assembled
into photographic collages by combining numerous
individual pictures that together create one
image.
In the single-negative-photographs
The Road dominates, in the collages The Railway.
The subjects of isolation and restlessness are
recurrent themes in Scandinavian art, and the
road and the railway are clear metaphors for
conveying these emotions. In the photographs
I explore space, movement and time and the paradoxes
that lie within these themes.
It is an honor for me
to be able to show these photographs from
the uttermost part of Europe in the United
States.
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